Something Dark and Holy Playlist Guide
- nadia | notabookshelf
- Jun 26, 2020
- 8 min read

1. Proshay (Fare Thee Well) by Melnitsa, translation version #2
I open the playlist with a song that perfectly encapsulates the vibe of Ruthless Gods: the road that is damning, the journey that every traveler knows will, at best, alter them forever, and cost them their lives at worst.
This lyric, I think, applies to Nadya and Malachiasz, their never-ending struggle for love that is tampered with by their unyielding desire to protect their countries. The whole verse is, frankly, phenomenal:
And when in embers of the morn you turn estranged from me
When I become estranged as well from you, my soul mate
Hold on to air in the freeze
The air as sharp as killing steel
It rose between us like a wall; we have to struggle for breath.
Where Nadya’s devotion to Marzhenya is the divine, cold wall of the wind between them, Malachiasz’s betrayal is almost mocking Nadya’s refusal to let go of her gods.
2. The Horror and the Wild by The Amazing Devil
I think this song is so very Serefin that it hurts.
The duet of his suffering and Nadya’s confusion, of his fear and Nadya’s divinity is bleeding out in the opening lyrics:
You are that space that’s in between every page, every chord and every screen,
You are the driftwood and the rift, you’re the words I promise I don’t mean
We’re drunk but drinking, sunk but sinking
They thought us blind, we were just blinking
All the stones and kings of old will hear us screaming at the cold.
Serefin is going through a lot with an unknown being (or two) consuming him with every breath he takes. I think the plea for remembrance is utterly his: he’s being abandoned, his world turned upside down in a foreign land with barely any friends left alive, and those that are near he can barely see.
Remember me I ask. Remember me I sing
Give me back my heart you wingless thing
Think of all the horrors that I
Promised you I’d bring
I promise you, they’ll sing of every
Time you passed your fingers through my hair and called me child
Witness me old man, I am The Wild.
The hopelessness of the the "Time you passed your fingers through my hair and called me child” is in his frustration with Pelageya; the promise of horror - "Think of all the horrors that I promised you I’d bring" is Serefin in his desperation for the Tranavian throne, and his retribution (or divine blessing?) - “I am The Wild" comes now - or later, with the third book around the corner.
3. Skazka (Fairy Tale) by IC3PEAK, translation version #1
This is plain and simple: the ultimate Nadya song.
I'm from Russian horror fairy tale, doesn't matter where you are from
I'm not afraid of daylight, there is enough gloom here
The world will give anything for free and take it back unexpectedly
I don't play your games, you'll be dead one day.
I think it’s perfect in its mood, its sound, its invocation of a “Russian horror fairy tale”, and the aggressive, repetitive insistence that she does not, in fact, cry for Malachiasz. The lyrics are pretty simple, but incredibly fitting.
4. Too Late for Me by Beth Crowley
This is, again, a Nadya song (it's almost like she's the main character🤔), what with all her struggle to pick a side and reconcile her devotion to her gods and her love for Malachiasz.
I wanna be a hero
But the villain's having more fun
Which one of us will wear the bigger bruises
When the war's done
There is no wrong or right
When you're fighting for your life
I wanna be a hero
But the villain's having more fun.
I think the most striking lyrics are “the devil in disguise, gonna make you choose a side”, “I wanna be a hero but the villain’s having more fun”, “There is no wrong or right when you’re fighting for you life”, “We all pick out poison but it’s a hard pill to swallow”. In terms of Nadya's character arc, this is still her in denial, and still she is good at her core with Malachiasz being the evil opposite.
5. Nature Boy by AURORA
This one is… weird. I love its weirdness and ballad-like sound. I like to think this could be Malachiasz if he were given a choice to become the pure good instead, or maybe if he was Kalyazi; he could be a Svoyatov, a prophet of sorts. This song is a kind of interlude - just like Ruthless Gods has in-between its chapters.
The greatest thing
You’ll ever learn
Is to love
And be loved in return.
6. Pray by The Amazing Devil
Nadya again! This song is pretty self-explanatory, and I think there are lots of ways to interpret it. I like to look at it as Nadya’s transition to maybe, possibly admitting to and owning her not-so-pure divinity, her monstrous side, especially in her conversations with Kostya after the Salt Mines.
If you knew all that I’d done
The words that shone are all but gone
Oh oh
The hearts I’ve broken, the minds I've woken
Sweet nothings are screamed not spoken
Oh oh
God made all man in his image
Honey I’m I’m I’m no man
I’m what’s left when children go to war
Run from you, I’ll run until I begin to understand
What holy men really mean when they speak of sand and sons and seams and symphonies and sweat and sex and sin.
So, yes, if I had to assign a song in this playlist to Nadya and Kostya's shattered friendship, it would definitely be this one.
7. Doroga Sna (The Slumber Trail) by Melnitsa, translation version #1
This one makes me feel a lot about Serefin and Nadya.
So let us have more wine, my youthful suzerain
Malefic fate is written in our stars
Nor happiness, nor love. Nor empathy, nor pain
One moon for both and blizzard one
And winding is ahead our Slumber Trail, the Slumber Trail
On the Slumber Trail past the humans’ life realm
We don’t care for Adam and Eve
We can’t care less for the way Earth lives
But from now on, my brother-in-charm, you won’t find yourself a new queen
And I will not find myself a new king.
He is the king, the only king she has ever known, and she is the queen of divinity for him, the only one he will ever know. They hold on to their daggers that may or may not help them fight the ancient darkness on the road ahead. They are siblings in arms; the Slumber Trail is their only way through the un-reality of their horrific world. The fact that this song is a ballad inspired, allegedly, by the legend of King Arthur, is all the more brilliant.
Also, the whole song revolves around drinking. I think Serefin would appreciate the sentiment.
8. Let There be Fire by Aviators and Miracle of Sound
Nadya! We’re not done with her!!
This song was playing in my head as I was reading Chapter 28, the scene of Nadya defending the monastery against Malachiasz and the other Vultures, when she used Krsnik's power through the relic and wielded fire.
So where would I even begin? A saint in a valley of sin Both above and below, the might of the gods is long gone
Hollowed life, new rebirth Set forth a soldier consumed by the earth Burdened down, last to die Laden with monstrous souls deep inside Sacrificed into flame Now fed as kindling they all burn the same With warmth to stave off the end I'll quench the cinders' desire To let there be fire again.
“A saint in the valley of sin” and “The might of the gods is long gone" are just two of the many incredible lyrics that invoke the Ruthless Gods imagery in this song for me.
9. Only Us by Miracle of Sound
Much like Proshay, I think this song is a great duet for Nadya and Malachiasz.
When bells of shame have faded And I remain reviled Let vengeance roar for blood and war Behind a scornful smile The vow, the kin, the rival A vision violent, vile These questions three have haunted me Since I was but a child So much I have lost and so much I resent My spite became the steps upon the stairway of descent
Let it all burn down around us Let the cruel consume the just Let the sin we swim in drown us Let the world shatter Into dust Nothing else matters Only us.
“My spite became the steps upon the stairway of descent”, “Let the cruel consume the just”, “Let the world shatter into dust” are just a few great illustrations of their relationship. The themes of betrayal, cruelty and selfishness are mainly what hooks me here; I literally think this song is so perfect. I’m holding on to my hope that “nothing else matters, only us” is going to be the big fuck you to the whole country-saving business in the end of the series (who knows!!! but!! let me hope!!). Truly, I think Ruthless Gods has a strong undertone of this energy.
10. That Unwanted Animal by The Amazing Devil
This is sort of the Nadya and Malachiasz modern!AU.
And we fall into each other
The scratching grows so loud
Because that unwanted animal
Wants nothing more than to get out
And I scream
‘What’s the time Mr Wolf?’ But you, you’re blind, you bleat, you bear your claws And you rip my ribcage open And devour what’s truly yours And our screaming joins in unison I cry out to the lord 'Cause if we join our hands in prayer enough To God I imagine it all starts to sound like applause.
As far as I know, this song is a metaphor for mental illness, but taking it at face value here is interesting. Malachiasz’s monstrosity and his godhood are watching Nadia after all, and this surveillance is unwanted. I think it’s interesting to consider here.
11. Dorogi (The Roads) by Melnitsa, translation
The ultimate ending for Nadya and Malachiasz, at leas for now, with what we have in Ruthless Gods.
There near the third threshold,
Behind the wide step,
Stones of silk for sure,
The road breaks in half, do you hear?
Right path takes you to the wharf,
The path around - to the mountains, south,
But there is no road in the world,
That will lead us to each other!
This song comes in a little later - and last on this playlist, building on what we had in Proshay; it is, in a way, the other side of the same coin. Here’s the acknowledgement of the defeat, but in a way that is still hopeful - it is just one of the many. There is truly no road that will lead Malachiasz back to Nadya, not in a way that would heal their wounds completely.
The roads intertwined
In a tight tangle of snakes in love,
And from the breathing of volcanoes in the mist numbs the wing
Sly devil, humble yourself -
We still stronger than you,
And near the flames of heavenly lands
it will be warm today.
The love still persists here; it’s just tainted with final realization of its moral and ideological impossibility.
BONUS TRACKS, mostly so because they don’t fit in to the overarching sound of the whole playlist, but I still think they fit into the theme.
No One by Miracle of Sound
This is more of the Wicked Saints song, the Nadya that is still blindly devoted to her faith and terrified of any sort of agency on her part. I imagine her walking through the Kalyazi forest, away from the monastery, “under the eyes of no one” - an ominous lyric in the context of Ruthless Gods, if you think about it.
Two Evils by Bastille
Both Malachiasz and Nadya could relate to the duality, but this is undoubtedly Malachiasz. "The lesser of two evils" and "The man I hide behind" is, word by word, the story of the monster/boy dichotomy of the whole series.
Raging on a Sunday & Ugly Habits by Bohnes
The duality of faith and atheism, overall blasphemy and rebelliousness galore!
Thanks for checking out this post! :) I hope you enjoyed my playlist and the rants that go with it; in case the latter truly captivated you, be sure to check out my full review of Ruthless Gods!
xxx
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